In the morning, [LAUGH] we'll have to take it off though. >> Yeah, yeah, please. >> Hi, Michelle. It's Glenn Hayward from Anderson & Sheppard. Very well, thank you. How are you? Yeah it's going very well, thanks and I just wanted to say that, how honored we are to be involved and thank you for selecting us to showcase our suit. Can I just run through the details with you? So it's going to be a three piece single breasted suit, isn't it? In a plain navy blue hopsack material? And I've got the fabric here in front of me. So it's a Smith fabric, which is one of the companies we use a lot. Yeah, it's a nice classic blue. So it's going to really showcase our sort of cut. >> Four. >> Four. >> 18 and a half. >> 18 and a half. >> 32. >> 32. >> 43. >> 43. >> I'm looking from the length of the coat, but what we're also doing, we're going to find out the natural waist. Relax please, sir. You just have to press, and if someone's standing right, what will happen is the center of gravity, it's like a see saw. You can just press it and it starts to topple forward naturally. So on my few, we'll probably go around 18 and a half, then down to the length of the coat, 42. We go to the back of the knee, which on the measurements, is 43. For me, I'd probably just come a fraction longer sir. >> Okay. >> The cuff on the shirt looks a little short. If the shirt was a little longer, I'd bring the cuff down just a fraction. Once again, we can have a look at the fitting stage and determine if we need to make any adjustments. 25. >> 25. >> Right. >> Right. >> At the end of the day, our customers could be wearing a suit all day long. It needs to obviously look and fit beautifully. But at the same time we want it to be practical. We want that practical elegance. So throughout the day, wearing a suit for 12 hours, you feel like it's a second skin. You can move about in it. You can function in it. It is comfortable to wear for 12 hours every business day. >> Thank you. >> We're probably looking at about four weeks for a fitting. >> Perfect. >> And then I'll see you and we'll slip the jacket on. >> I'll see you in four weeks then. >> I'll see you in four weeks. My colleague, Mr. Malone will come in and take some trousers now. Thank you very much, sir. >> Thank you. >> John, right? >> Pleasure to meet you, Matthew. >> Right, how are you going to support them? A tie strap? >> I'd say so, yeah. Yeah, I'll do that. >> Cut high in the waist. >> Yeah, I'm having the waist cut. >> You're having the waist cut, okay. 45. >> 45. >> So a couple of things we'd always do. Make sure the cloth is flat. Make sure the edges are together. Okay. All the cutters, and all the tailors, have their own shears. Obviously our cutting shears are quite large, quite weighty. We know our own shears. First line of polish is in the cutting room, I'd be able to pick out my shears blindfolded. Obviously, tape measure we always have, string is not. And then you have a, I mean, it's very simple, really. We're not over reliant on technology. This little symbol here just means it's also a jetted pocket. You'll find all sorts of customer requests. One custom is to have a pocket in the back of his jacket. And, the reason for it, was when he was on a plane, he could put his passport in it and his tickets. So, it was always easy to get his tickets and he didn't have to go fumbling. That's the beauty of what we're doing. With it being bespoke, the customer can ask for these requests. And we will try and sort them out, these little details and these quirks. And that's the beauty of it, that's why it's bespoke. This is what the cutters do at this stage. This is where the cutter is deciding where to take shape and stuff. At the next level is where the tailor will also then do what he does and he'll start to shape it by manipulating the cloth. because what it's all about with the cutters and the tailors Is putting in a certainly max, a shape it's a pressure and manipulating the cloth. To take some of those two dimensional on flat, into a three dimensional object, to place over the individual. All right, what we do, just check the balance. Armhole pitch, waist, suppression, waistline throughout. You see the bottom of the coat. And this is our little marking signal, four slits aside. At this end here, outer sleeves. So we start to pass that all up. What will happen is once I've put these together, so you've got the fundamental building blocks of the garment. This is where nothing goes to waste. So we've got the top collar, what we call the top collar. I'm obviously marking directions of the grain of the cloth. Just to help and aid the tailor again, you've got to think this is going to be flaps, this going to be the ins. Job ticket.