About this Course
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지금 바로 시작해 나만의 일정에 따라 학습을 진행하세요.

유동적 마감일

일정에 따라 마감일을 재설정합니다.

완료하는 데 약 33시간 필요

권장: 8 hours videos and quizzes...

영어

자막: 영어

100% 온라인

지금 바로 시작해 나만의 일정에 따라 학습을 진행하세요.

유동적 마감일

일정에 따라 마감일을 재설정합니다.

완료하는 데 약 33시간 필요

권장: 8 hours videos and quizzes...

영어

자막: 영어

강의 계획 - 이 강좌에서 배울 내용

1
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Welcome to Class!

We’re happy that you’ve joined us! The items you see here will enable you to get the most out of this course. Please note that many of the items have been updated to reflect the addition of Jonathan’s newest lectures.

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4 readings
4개의 읽기 자료
Notes from the Instructor10m
Syllabus10m
Join the Curtis Online Forum10m
Getting to Know You10m
2
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How Things Were

To examine the relationship Beethoven had with the piano sonata, we begin by looking at its origins. In this lecture, we will discuss the role of music generally, and of the sonata specifically, in the time of Haydn and Mozart. This lecture will also provide an introduction to the form of the sonata—to the psychological effect sonata structure has on the listener. This background will be necessary to appreciate the innovations Beethoven introduces.

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6 videos (Total 59 min), 3 readings, 1 quiz
6개의 동영상
Sonata Form in Theory7m
Sonata Form in Practice14m
…and the Form of the Sonata8m
3개의 읽기 자료
Lesson Notes and Resources (How Things Were)10m
Lecture Corrections10m
Mr. Biss Asks...10m
1개 연습문제
How Things Were20m
3
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The First Thirteen

Beethoven’s work has traditionally been divided into three or four periods. This is problematic, for various reasons, but the first 13 of the 32 sonatas do, in a sense, form a unit. This lecture will focus on Sonata No. 4, Op. 7, which is the largest and altogether one of the most impressive of the early works. Topics will include Beethoven’s use of the piano and the use of the sonata as a “vehicle” for the pianist, the ways in which this and other early sonatas conform to the model established by Haydn and Mozart and the ways in which they do not, and the foreshadowing of the fixations of the later years, while holding, at least on the surface, to the conventions of the time. Topics will include Beethoven’s use of the piano, and the use of the sonata as a “vehicle” for the pianist, the ways in which this and other early sonatas conform to the model established by Haydn and Mozart and the ways in which they do not, and the foreshadowing of the fixations of the later years, while holding, at least on the surface, to the conventions of the time.

...
4 videos (Total 44 min), 3 readings, 1 quiz
4개의 동영상
Respecting and Disrespecting Tradition: Op. 7, 3rd and 4th Movements11m
3개의 읽기 자료
Lesson Notes and Resources (The First Thirteen)10m
Mr. Biss Asks...10m
Sonata from "The First Thirteen"10m
1개 연습문제
The First Thirteen20m
4
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New Paths

Beethoven’s conception of the sonata was perpetually in flux, but the year 1801 is a particularly experimental one. The four sonatas Op. 26 through 28 (Nos. 14 through 17, chronologically) feature the most concrete innovations among the sonatas written up to that point, and are the focus of this lecture. There will be discussion of the relationship between the movements in a classical sonata, and the radical shift it begins to undergo at this point. We will also examine the ways in which these sonatas were influential to future generations of composers, which the earlier works, great as they are, were not. As a special feature for this lecture, a recording by a current Curtis student of the first movement of Op. 28 will be available on Curtis Performs.

...
5 videos (Total 59 min), 4 readings, 1 quiz
5개의 동영상
Psychological Extremity in Music: Op. 27, No.215m
Subtlety and Innovation: Op. 289m
4개의 읽기 자료
Lesson Notes and Resources (New Paths)10m
Lecture Correction10m
Mr. Biss Asks...10m
Sonatas from "New Paths"10m
1개 연습문제
New Paths20m
4.8
121개의 리뷰Chevron Right

Exploring Beethoven’s Piano Sonatas의 최상위 리뷰

대학: JRAug 23rd 2016

Fascinating trip through the marvellous Beethoven sonatas.\n\nAlthough I love them since many years, I'm very happy to see that It's always possible to progress.\n\nMany thanks Jonathan.

대학: JMOct 16th 2015

I highly recommend this course to anyone that wants to look DEEPER into music. Believe me, after you are done with this course. You will see classical music completely different.

강사

Avatar

Jonathan Biss

Neubauer Family Chair in Piano Studies
Performance Faculty

커티스음악원 정보

The Curtis Institute of Music educates and trains exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. One of the most selective schools in the United States, Curtis accepts four percent of applicants each year on average. A tuition-free policy ensures that talent and artistic promise are the only considerations for admission. With a small student body of about 175, Curtis ensures that each young musician receives an education of unparalleled quality, distinguished by personalized attention from a celebrated faculty and a “learn by doing” philosophy. Curtis students hone their craft through more than 200 orchestra, opera, and solo and chamber music offerings each year in Philadelphia and around the world....

자주 묻는 질문

  • 강좌에 등록하면 바로 모든 비디오, 테스트 및 프로그래밍 과제(해당하는 경우)에 접근할 수 있습니다. 상호 첨삭 과제는 이 세션이 시작된 경우에만 제출하고 검토할 수 있습니다. 강좌를 구매하지 않고 살펴보기만 하면 특정 과제에 접근하지 못할 수 있습니다.

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